And for a seasoned professional who needs an efficient method to making quick Color Corrections for many projects accurately, Cinema Grade is an invaluable plugin. It will help to improve your confidence in adding color to your project. Finally, apply preset film stocks and adjust them to achieve the creative look you want. Adjust the appearance using the basic color temperature and tint controls, and use the eye dropper to white-balance one shot and copy the same correction to other, similar shots. This simplicity is due to the grouping system, vector scope comparisons, and the ability to make basic adjustments in the “Shot Matching” step itself.įor a prosumer who is either new or unskilled in the process of Color Correction, this plugin is great tool. Learn how to use the Lumetri color tools inside Adobe Premiere Pro for color grading scenes in your video. However, with the ease of use in the Shot Matching feature of the Cinema Grade, I could see how a significantly complex color correction job could be made simple and organized. And only a few more minutes to get a satisfactory comfort level with the plugin.įor a project that had only 1 location with 2 different cameras, the process of getting a pro-level color grade took significantly less time than on the first pass using DaVinci Resolve. It is a dropdown with only 10 LUTS allotted at a time and no preview.Ĭinema Grade took mere minutes for me to fully install and begin doing pro-level color correction on my music video. If using a LUT in your initial base corrections as I did, there are no preview displays as there are in the “Final Grading” step.This means that if you wanted to just use Cinema Grade as a single effect on the clips in your timeline, you’ll have a lackluster result. There’s a lack of secondary color adjustment options within the actual plugin itself. Cinema Grade is not necessarily ideal for detailed correction.If you do, you will receive a dialogue box stating to access the plugin through your video editing application. Later, it can be launched from the “Effect Controls” window of Adobe Premiere Pro.ĭo not access the interface using your Finder. The plugin is available in the “Effects” window in Premiere after install. You’ll also receive a key to complete the installation. Once you have purchased the Cinema Grade plugin, you are given a download. Each license can be used for 2 activations. The Pro version also includes training, film add-ons, and a look hacking system. Cinema Grade Pro, the version used in this review of Cinema Grade, includes group shot matching and Xrite chart support. Here is how Cinema Grade is priced for each plan:įrom the checkout page on the website, you can view what features are available with each version. Note that at you will see that the plugin is also available for Final Cut Pro and DaVinci Resolve. This video was shot on Canon R5 in C-Log2, with 8k proxy reference files. Selecting a region changes the language and/or content on will be using the Cinema Grade Pro plugin for Adobe Premiere Pro on a MacBook Pro to color grade shots in the music video “Neighborhood” by Caleb McLaughlin. Ensure that you are following the new process. Putting LUTs directly into the application package has been common hack in the past but doing so can have serious side effects, including the LUT not being rendered at export or an entirely different LUT getting rendered without warning. The shared LUT location in the new version of Premiere Pro is the recommended way to manage LUTs. For more information, see the new features summary of the Premiere Pro documentation. A common location is available for LUTs to support anyone regardless of who is logged into the computer. A different location exists for creative LUTs, such as day-for-night transformation or film stock emulations. LUTs that go into the technical folder are input LUTs, which are used for transforming log footage. ~\AppData\Roaming\Adobe\Common\LUTs\Technical ~/Library/Application Support/Adobe/Common/LUTs/Technical Put a LUT in that location and it is available to any Adobe application with Lumetri support. The new release of Premiere Pro enables you to manage LUTs effectively as there is now a central location for LUTs. If you are shooting in Cinema RAW Light and Canon’s log gammas, you must be familiar with look-up tables (LUTs).
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